Thursday, January 23, 2020

Photography That Smashes Stereotypes

Making the 'cone of shame' beautiful and redefining fatherhood.

Photography That Smashes Stereotypes

Quincy Fox and Collagio
Winnie Au
"[W]hen a dog wears a cone, it's the saddest feeling. They just don't look very happy usually. I wanted to create a series to turn that image upside down," says photographer Winnie Au. 

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A “Complete Annihilation Of Gender”

Ally Schmaling wants a "complete annihilation of gender."
Ally Schmaling
Boston-based photographer Ally Schmaling's portrait series explores queer and nonbinary identities — and people who are refusing to identify with traditional male and female gender labels. "It's our job to push institutions forward and create art that reflects the world we want to see," Schmaling says.  

Not Your Grandma's Southern Belle

Six of the 50 Azalea Trail Maids gather under oak trees. The dresses come in six different colors, but only the queen of the court wears pink.
Adair Freeman Rutledge

Photographer Adair Rutledge, a native of Mobile, Ala., returned to her hometown to learn more about how some girls are redefining what it means to be a symbol of the South. The girls call themselves the Azalea Trail Maids and they embody old school Southern hospitality with a modern twist


Redefining Fatherhood

Caleb has a developmental disability and is largely nonverbal. When Matt, an actor in Annandale, Minn., did his movement and acting exercises, he noticed that Caleb reacted strongly to them. They started doing them together, opening up a new way for father and son to communicate.
Dirk Anschütz
After his son's birth, Dirk Anschütz photographed fathers and sons across the United States for six years. "There's a lot of change going on right now regarding what fatherhood means, what masculinity means," Anschütz says.

The Black Body As Cosmic And Eternal

Sam, 2018
Mikael Owunna

Twenty-eight-year-old Nigerian-Swedish photographer Mikael Owunna, who was born in Pittsburgh, Pa., and is based there now, says he grew weary of the barrage of violent, dehumanizing imagery of black people he saw in the media.

"If the majority of images that you see of yourself are negative," Owunna says, "if people who look like you are dead or dying or captured in a negative light, how do those images enter your body?"

Owunna wanted to counteract the pain of those photos by creating images that portray black bodies not as sites of death, but as places of magic.

— By Suzette Lohmeyer

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